Padraic Fiacc (born 1924 in Belfast, Northern Ireland) is an Irish poet, and member of Aosdána, the exclusive Irish Arts Academy.
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He was born Patrick Joseph O'Connor in Belfast on April 15, 1924 to Bernard and Annie (McGarry) O'Connor. His father, a barman from a family of shop-keepers left for America while Fiacc was very young. At this time, Fiacc resided with his maternal grandparents who had recently moved to the Market area of Belfast after having been forced to leave their home in Lisburn due to a fiery anti-Catholic demonstration in which all their furniture was burned.
His family emigrated to the United States in the late 1920s and he grew up in New York City. He returned to Belfast in 1946 where he lived for four years before returning to New York in 1950; he grew up in Hell's Kitchen.
The multicultural influences, coupled with the poverty and violence of the neighborhood impacted Fiacc's outlook and his writing, especially his early writing.
He attended Commerce High School and later changed to Haaren High School in order to learn Latin. While at school, he produced several original plays and his first collection of poetry titled Innisfail Lost. The poems were reviewed by Padraic Colum who became a mentor to Fiacc, directing him away from themes of coming to America and encouraging him to research and write about his own people's history. Fiacc had already developed a distaste for America and found himself longing for Ireland as he dug deeper into its history and literary technique and style.
Seminary was Padraic's next step. He attended St. Joseph's Seraphic Seminary and later studied with the Irish Capuchin Order for a total of five years spanning 1941-1946. He includes in his main reasons for leaving the path to priesthood his lack of disciplinary habits and longing for a freer existence. The morbidity of his poems written during this time period may also have had an effect.
On leaving the seminary, and to avoid signing up for military service, he returned to Belfast in 1946 where he lived for four years during which time his poetry was published in several magazines and the 1948 volume of New Irish Poets. Fiacc was the youngest poet in that edition. Publications of Fiacc's work from this time may be found in Irish Bookman, Irish Times, Poetry Ireland, and Rann.
In 1952, upon the death of his mother, Fiacc returned to New York to look after his alcoholic father and younger siblings. It was during this time that he met his soon-to-be wife Nancy, who had read and enjoyed some of his early writings. Nancy abandoned her previous plan to become a Benedictine nun to be with Padraic.
However, he was very unsettled and returned to Belfast in 1956 and settled in Glengormley, a suburb of North Belfast, where they welcomed a baby girl in 1962. He has since published a steady stream of poetry and other works.
Fiacc continued to write and won the 1957 AE Memorial Award. 1969 was a momentous year for Fiacc. The publishing of his first volume of poetry came alongside the return of pervasive violence. The breakdown of his marriage and his nerves, and the murder of a close friend, Gerry McLaughlin, ensued, as did his edited collection of poetry by his contemporaries surrounding the topic of the troubling times in Northern Ireland, The Wearing of the Black.
In the early 1970s, he met Gerald Dawe, a younger poet, with whom he met regularly, corresponded, and later acted as mentor. Dawe, in the company of other contemporary Irish poets served as a supportive group of peers for Fiacc. He published a steady stream of poetry and other pieces, and still resides in Belfast. He is a member of Aosdána, the Irish Arts Academy.
In the 1980s Fiacc collaborated with Northern Irish artist Seamus Carmichael, who produced a series of color linoleum prints, three based on poems from the "Missa Terriblis" collection and 7 based on work from "Woe To The Boy". These images were widely exhibited in Ireland in 1985 and 1986.
Themes in Fiacc's Poetry include fear, childhood, hatred, violence, danger, poverty, Ireland's history, bloodshed, Hell's Kitchen (early work), suffering, hostility, the urban landscape, darkness and rebellion.